Talk:Kodachrome II/@comment-64.72.140.138-20150305190956

As a long time professional, I just thought I'd bring up that Kodakchrome II was actually the last of the great Kodakchrome formulae. When they cleaned it up at the direction of the government, and it went to Kodachrome 25 and 64, many times it became harsh, contrastly, and suseptible to color crossover (green shadows, magenta highlights), and just overall poor color. Most of the pro's I know stopped using it after that, and standardized on Ektachrome EPR (and Fuji in the 80's). Even today I can look back at transparencies and see the differentiation. There was a lot of talk at the time about NYC and LA getting the best tested film emulsions, and area of the country that I was in was getting, if not "bad" emulsions, certainly those close to the limits of the testing procedure for what was deemed "acceptable". Loved Kodachrome and missed it, but I had already been missing it since 1974!